Thoughts on Fashion

October 30, 2011 by MJ Sunderland
Published in Fashion
Fashion is the system of production, dissemination and consumption of clothing. The study of fashion is not merely concerned with designers and the clothes they produce; we also have to consider how we consume fashion and adapt it to our own needs. The inherent influences and meanings change with time, social needs, technology and place.
Fashion discourse revolves around certain key terms:
Clothing – items made and worn to cover oneself and protect oneself from the elements.
Dress – the use of clothing in a particular manner for specific purposes – e.g. clerical, academic.
Style – an individual way of dressing which incorporates clothing in a unique manner using a variety of clothes and material in traditional and/or non-traditional ways. Sometimes styles are aligned with particular social groups or subcultures.
Fashion is incredibly diverse and in a constant state of flux, which makes it ephemeral and fleeting. So why do we study fashion? Firstly, it’s part of our everyday life: we purchase or make clothes and wear them every day of our lives. Fashion is a semiological system, a visual lanquage that we use to make statements about our social status, wealth and taste. Even people who choose to opt out of the fashion system implicitly convey their attitude to it.
Due to its visible nature fashion is integral to our identity. In social terms, broad trends in fashion reveal attitudes to class, gender and sexuality. So fashion is integral to our understanding and interpretation of social mores and constructs. For our purposes, fashion is an index of the socio-economic and cultural climate of Britain over the past four decades.
What is British fashion? These are some key attributes:
Practicality with an irreverent twist
Flirting with identity – in terms of class, gender and ethnicity
Effortful casualness
The late Alexander McQueen said, ‘British fashion is self confident and fearless. It refuses to bow to commerce, thus generating a constant flow of new ideas whilst drawing in British heritage.’
Reading
Breward, C. et al. (2002) The Englishness of English Dress, Oxford: Berg/
Edensor, T., (2002) National Identity, Popular Culture and Everyday Life, Oxford: Berg.
Ford, M & Legon, P. (2003) The How to be British Collection One, Lee Gone Publications.
Ford, M & Legon, P. (2005) The How to be British Collection Two, Lee Gone Publications.
Fox, K. (2005) Watching the English: the hidden rules of English behaviour, London: Hodder.
Goodrum, A. (2005) The National Fabric: Fashion, Britishness, Globalization, Oxford: Berg.
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October 30th, 2011 at 1:08 pm
Great ideas
March 7th, 2012 at 9:39 pm
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April 2nd, 2012 at 1:46 am
Our fashion directly deals with the new trade or requirement of the changes of lifestyle. This is because of new trade should be supportable to the outside environment.
May 15th, 2012 at 3:41 am
haha, thanks so much for this info. everybody love fashion, but in my opinion, which style make you comfortable, that is your fashion.
September 22nd, 2012 at 11:40 am
Some clothes look good, like maybe white blouse and black jacket over it.
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